I've been giving much more time to planning future graphic novels and book work connected to the stories suggested in my murals. I think i often forget how tightly these two things are interconnected. The more i develop narratives in my books, the more natural and intuitive my mural work feels.
I also want to continue to dedicate more time to my print studio. I've managed to get my copper plate etching up to a standard i'm really proud of since the last run i released. I'd like at least one edition out this year that's a bit easier for people to buy. I'm going to set more time aside to do a big edition size.
So thats enough of me rambling. Here is the work i've just done for the crystal ship 2017 in ostend Belgium. Credit to Ian Cox for the first photo of me sketching the work from the lift.